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January |
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Th |
13 |
Introduction
/ Purpose of the course/ Short History |
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T |
18 |
DADA's origins: History
and
Culture (Neo-Realismus,
Futurism, Constructivism, Zutism) |
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Th |
20 |
The
poetics of DADA: praxis and performance / Tzara (Zürich) |
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T |
25 |
DADA's
anti-languages: Dialectics
of Revolt |
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Th |
27 |
Semiotics
of DADA's typographical Poetry |
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February |
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T |
1 |
Collage
, Montage: Picabia, Arp and artistic
allegory
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Th |
3 |
The
politics of DADA (Berlin) |
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T |
8 |
Propaganda,
social Revolution
and Agit
Prop. |
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Th |
10 |
Dada
in Germany (Schwitters' Merz)
and Ernst |
< |
GIVEN>> |
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T |
15 |
DADA
and the "Arts" |
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| |
Th |
17 |
The
artistic aesthetics of DADA (New
York) Pictures, Pictograms, Iconography |
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T |
22 |
Return
to the Primitive |
<<
PAPER |
DUE
>>> |
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Th |
24 |
The
literary aesthetics of DADA (Paris) |
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March |
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T |
1 |
Intellectual
Life in Paris circa
1920; The end of DADA |
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Th |
3 |
You
said "Surrealism"? |
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T |
8 |
Freud
meets Reverdy, literature wins |
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Th |
10 |
Surrealist
Manifesto: Automatic writing, |
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| |
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SPRING
BREAK |
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T |
22 |
Breton
et La Révolution
Surréaliste |
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Th |
24 |
Freud,
Dreams , Collective |
<<
TOPICS |
GIVEN
>> |
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T |
29 |
The
Spanish
Connection |
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| |
Th |
31 |
:
Surrealist politics:
Eluard, Aragon |
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April |
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T |
5 |
Second
Surrealist Manifesto: The “EX”
— Artaud, Bataille, Leiris |
<<
PAPER |
DUE
>>> |
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Th |
7 |
Dali
and Paranoïa
Critique |
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T |
12 |
Surrealist
"art" |
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Th |
14 |
Dada & Surrealist Women Artists, |
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T |
19 |
"Art
Brut", "Art
Naïf" and valuable 60’s
schizophrenia. |
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Th |
21 |
Art
as an automatic
process or
under KONTROL?: |
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T |
26 |
Surrealism,
Post-surrealism
// Modernism, Post-Modernism |
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