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| January | |||||
| Th | 11 |
Introduction / Purpose of the course/ Short History DADA's origins: History and Culture (Realismus, Futurism, Expressionism, Constructivism, Zutism) |
"Dada" | ||
| Th | 18 | The poetics of DADA: praxis and performance / Tzara (Zürich) | |||
| Th | 25 | Semiotics of DADA's: typographical & (eu) phonic poetry; Hugo Ball | "Collage" | ||
| February | Th | 1 | Collage , Montage: | Film | |
| Th | 8 | Picabia, Arp and artistic FIGURATION Dada/Tzara | Film |
GIVEN>> | |
| Th | 15 |
The
politics of DADA (Berlin)
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| Th | 22 | Dada
in BERLIN (social Revolution)
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March |
Th |
1 |
DADA in Germany (Berlin, Hanover, Kőln). Richter, Hertzfeld, Grosz, Hausmann, Schwitters' MERZ, Ernst, Propagandada, and Agit Prop DADA and the "Arts" |
Film | |
| Th | 8 |
The
visual aesthetics of DADA (New
York) Pictures, Pictograms, Iconography
(Stieglitz, Duchamp, ) Return to the Primitive |
<< PAPER | DUE >>> | |
| SPRING BREAK | |||||
| Th | 22 | The literary aesthetics of DADA (Paris); Intellectual Life in Paris circa 1920; The end of DADA | Film | ||
| Th | 29 | You
said "Surrealism"? Freud
meets Reverdy, literature and ID wins Surrealist Manifesto: Automatic writing, Breton et La Révolution Surréaliste |
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| April | Th | 5 | Surrealist politics:
Eluard, Aragon;
is there a "Surrealist
art" as an automatic
process or
under KONTROL?
The Spanish Connection: Dali and Paranoïa Critique, Miró Bunuel |
Film | |
| Th | 12 | Second
Surrealist Manifesto: The “EX”
— Artaud, Bataille, Leiris; Surrealist Women Artists, |
<< TOPICS | GIVEN >> | |
| Th | 19 | "Art
Brut", "Art
Naïf" and valuable 60’s
schizophrenia. Post-surrealism // Modernism, Post-Modernism |
Film | ||
| W | 25 | END OF THE SEMESTER |