












Pierre Alferi, a leading figure
of the new generation of French poets / writers / cinematographers
born after 1960 is Professor of
visual studies at the Beaux-Arts in Paris (France).
His writings and films are extremely
concerned with the plasticity of the expression as they integrate
graphic and sound components so as to produce a sort of textual and
visual installation. He nurtures
collaboration with other artists and often performs
with musicians, painters and other poets. With
Suzanne Doppelt, a
photographer and professor at the European
Graduate School, he co-founded the literary review
Détail,
and with Olivier Cadio
La
Revue de Littérature Générale.
His collaboration with the sculptor Jacques Julien led to the
production of the DVD Ça commence
à Séoul
(2007).
Alferi has also written lyrics for the actress and singer Jeanne
Balibar. He wrote two of the songs for Balibar's 2003 album,
Slalom Dame
("Cinéma" and "Ton Diable"), in collaboration with Rodolphe Burger,
who composed the music. Alferi is well-known for his translations of
works by John Donne, Giorgio Agamben and Meyer Schapiro into French.
His creativity on film was edited and published as a DVD, Cinépoèmes &
films parlants (2003). A special issue of the journal
SubStance
devoted to Alferi's work will appear in November
2010.




| Melodia E. Jones Chair Activities |














SubStance
Volume 39, Number 3, 2010 (Issue 123)
E-ISSN: 1527-2095 Print ISSN: 0049-2426
"Pierre Alferi"
Pierre Alferi: A Bountiful Surface of Blues
Jean-Jacques Thomas
pp. 3-20
Pierre Alferi: A Selected Bibliography & Filmography
pp. 21-23
--------------------------
What Was It
Pierre Alferi
Kate Lermitte Campbell, transl.
pp. 24-37
--------------------------
Poems and Monsters: Pierre Alferi’s “Cinépoésie”
Éric Trudel
Roxanne Lapidus, transl.
pp. 38-51
Visual Poetry, Poetic Visions and the Visionary Poetics of
Pierre Alferi
Heidi Peeters
pp. 52-65
Pierre Alferi’s “Allofiction”: A Poetics of the Controlled
Skid
Jan Baetens
Douglas Basford, transl.
pp. 66-77
Pierre Alferi: Compressing and
Disconnecting
Agnès Disson
Roxanne Lapidus
pp. 78-90
Perception, Imagination, and the Self: Pierre Alferi’s Fmn
Kate Lermitte Campbell
pp. 91-104
Pierre Alferi and Jakob von Uexküll: Experience and
Experiment in Le Chemin familier du poisson combatif
Michael Sheringham
pp. 105-127





